#and its a great metaphor for patriarchal society actually! but what the fuck ever!

[geoffrey]

you fucking ... you dont get anything at all you bastard... just because the actual plot is that the house is evil doesnt mean it doesnt have subtext... google the shining novel symbolism you rat bastard. does this person read the masque of the red death and go "well it would've been cooler if it was a metaphor for rich people not being able to escape their inevitable death rather than like... a ghoul just killing them :///"

[aion-rsa]

Wynonna Earp Season 4 Episode 10 Review: Life Turned Upside Down

https://ift.tt/3lXH8By

This Wynonna Earp review contains spoilers.

Wynonna Earp Season 4, Episode 10

Like most good-but-not-great episodes of this beloved show, “Life Turned Upside Down” is an instance of Wynonna Earp biting off more narrative than it can effectively chew in one, hour-long installment. What starts as an episode that promises to delve further into Wynonna��s alcohol abuse and other mental health struggles and how they affect her loved ones quickly veers into a more action-forward story that sees Waverly kidnapped by her worst nightmare and BBD upper management initiating a plan that could end Purgatory (and some of our favorite recurring characters) forever. “Life Turned Upside Down” could have been three excellent episodes of television. Instead, by trying to shove all of this story into one installment, it ends up being one pretty great yet ultimately overambitious episode of TV.

“You know, I really thought we’d have a few years between your transition from fun drunk to mean alcoholic.” “Well, we don’t all have the option of happily ever after.” I’m sad we will never get to see the version of this episode that more fully dives into Wynonna’s current mental health struggles and alcohol dependence. Alcohol abuse is often glamorized and glorified on TV and film, especially when it comes to the lone, stoic warrior trope. It’s a depiction rooted in toxic masculinity, and especially in the western, a genre from which Wynonna Earp gets many of its narrative conventions. There’s a misunderstanding that toxic masculinity only impacts cis men, but that’s far from the case. In a patriarchal society that over-glorifies a constructed masculine ideal, toxic masculinity can affect anyone, and we see some of the worst of what that can look like in Wynonna’s Season 4B struggles. “You’re hunting all of the time. You’re not sleeping. You’re isolating yourself.” “No, I’m hunting alone, so until a new Chosen One rolls into town, whose old enough to drink…” Here, Wynonna equates being a “Chosen One” with alcohol dependence because, for her, they are inextricable from one another; she cannot comprehend a way to do this “job” without this particular coping mechanism.

What Wynonna Earp gets radically right in this episode opening is the focus on how this kind of “lone wolf” mindset affects other people. (“You seem so…” “Dedicated to keeping my friends and family safe?” “…Really sad. And lonely.”) One of the myths at the root of both toxic masculinity and toxic individualism is the idea that any one person can be an island. That it is possible to lock up your pain so tightly inside of yourself that it won’t touch anyone else. But to be human is to affect and be affected by the people around you. We touch one another, even when we try desperately not to, and this is something toxic masculinity and the glorified depiction of “the lone wolf” get so incredibly wrong. When you self-destruct, that self-destruction doesn’t happen to just you; it happens to everyone who loves you and, often, to people who don’t love you too. That knowledge can’t necessarily stop people from self-destructing, from feeling incredible pain and acting in harmful ways because of that pain, but hopefully it can get them one step closer to seeking help outside of themselves and realizing that, in doing so, they’re not just helping themself, but also helping everyone they touch.

This rich thematic exploration propels “Life Turned Upside Down” forward, but we never really get to see it come to any kind of fruition in this episode. Once Waverly, Wynonna, and Nicole leave the homestead after Wynonna and Waverly’s rough, raw, and probably helpful fight, the world butts in, as it so often does. Waverly is chased into the Ghost River’s mind-altering fog, and Wynonna and Nicole are desperate to save her. Initially unbeknownst to them, Waverly’s situation is even worse than they could have imagined: Waverly’s demonic “twin” Jolene is back, and she’s continuing her lifelong dedication to psychologically torturing (and then also physically torturing) Waverly.

Jolene is a manifestation of all of the negative thought patterns in Waverly’s head: Demons are just fallen angels [and] you’re one of them. / Does it ever get boring playing the role of damsel in distress? / Those are all of the lives that Wynonna has had to snuff out to save yours. Imagine the weight of all of that blood on her hands. / Stupid, selfish little angel. In Season 3, Jolene was ultimately unsuccessful in getting Waverly to die by suicide because Waverly was able to see the love and support her family and friends give her freely, and hear the untruth in Jolene’s lies. This time, Waverly isn’t able to do the same and it probably has at least something to do with how much Wynonna’s misery has been affecting her baby sister. There is more than one way to keep your loved ones safe and, while Waverly’s apparent turn to avenging angel is 100% not Wynonna’s fault; it also might not have happened if Wynonna’s definition of “keeping her loved ones safe” wasn’t so toxically narrow. Just because your pain belongs to you doesn’t mean it’s doesn’t sing to others, stirring up their own pain in return.

In accepting the dark narrative Jolene is whispering in her ear, Waverly makes a similar decision to the one Wynonna has been making since they got back from the Garden: To go it alone. To believe that there is something inherently and inescapably dark about her power. To tell herself hat she must get her hands bloody to keep her sister’s hands relatively clean. Something tells me that, in seeing Waverly make her own version of the choice Wynonna has been making these past few months, Wynonna might finally understand what Waverly was trying to tell her at the beginning of this episode: She wasn’t judging her; she was trying not to lose her.

Elsewhere in the episode, BBD’s much-discussed “upper-est management” have finally come calling, and it’s bad for pretty much everyone we know and love. Someone named General Graham is rounding up all of the “assets” left in the Ghost River Triangle and either killing them or loading them onto a metaphoric ark to get the heck out of dodge before the memory-altering fog swallows the entire region in just a few days. I was a little confused by the plot mechanics of all of this (maybe because I was so invested in what was going on elsewhere in the episode?), but it seems like there is a larger fight Graham is planning for. He spoke of a silo in Montana where he plans on bringing the supernatural people he’s rounded up in order to regroup and continue the fight. This all implies that the Big Bad, which is probably not the memory-altering fog but rather Eve or, and stay with me here, perhaps Waverly? Our favorite Sudoku-player ends the episode by ascending (or descending?) into some kind of dark angel, brought about by Jolene’s torture and the temporary belief that Wynonna is dead. “Your journey is over, Wynonna Earp,” Dark!Waverly tells her sister. “And mine has just begun.” Yikes.

Read more

TV

Could Wynonna Earp Still Get a Season 5?

By Kayti Burt

TV

How Wynonna Earp’s Wayhaught Has Changed The TV Landscape

By Lyra Hale

Ultimately, I’m not sure the beginning of this episode matches the end. At the beginning of the episode (and in previous episodes), the series seems to depict that Wynonna’s alcoholism is a problem, but then the episode promptly swerves into demonstrating how the story that Wynonna tells herself that fuels that alcohol abuse (that she needs to kill to keep her loved ones safe) is actually kind of true. Wynonna does do a pretty good job trying to save her sister, even if ultimately she is unsuccessful. (Because Waverly isn’t saved, is she? She may not die, but she is forced to transform into something she explicitly says she does not want to be: “I don’t want to be an angel. I don’t want to be a demon. I just want to go home.” Rather: “I can be a hero and a wife.” That is Waverly Earp’s dream and, over the course of this episode, she seemingly moves away from that path.) Over the course of this review, I’ve thematic tracked a path between Wynonna’s self-destructive behavior and the path Waverly takes at the end of this episode, but, if this was what Wynonna Earp was going for with “Life Turned Upside Down,” they needed to connect the dots a little better. If not, well, then the point still stands.

As with other episodes of Wynonna Earp that don’t quite nail it for me, “Life Turned Upside Down” was still a hell of an episode to watch for anyone who cares about these characters and this show. Even when Wynonna Earp isn’t at 100% in terms of plot or theme, you better believe that the characterization and the actors who bring that writing to life are top notch. From the intervention to “It’s my fucking turn, Wynonna” to Rachel picking flowers to lay next to Casey’s corpse, I was emotionally riveted. And, while it’s different for every story-consumer, that’s what I care about the most. The rest is icing on the doughnut.

Additional thoughts.

Wynonna calls herself a “chip off the abusive asshole block.” So much of the insecurities and issues that the Earp sisters deal with can be traced back to their abuse asshole father. It is, frankly, very impressive that Wynonna and Waverly were able to grow into such loving adults, given what they had to endure as kids.

Speaking of which: “Purgatory’s not a place where people get to be kids.”

“You’re my family.” “No, I’m not.” Poor Rachel. But also: she seems to be the most well-adjusted one here right now?

“Nobody wants to be an Earp. Earps always end up alone.” More story-lies that Wynonna tells herself that most likely started with her father.

R.I.P., Dallas.

Also: Mercedes!!! Are you OK?

“I’m kind of medium on the hair.”

“Clio’s the new Clanton heir and send the reapers to feed on a bus full of seniors.” Um, that is quite bad?

“I made you an apology castle roll.” I am so sad that Casey died.

“Those are humans… and Freddy.”

“I will come back to you; I just need her more.” While I did generally love the characterization in this episode, as previously mentioned, it didn’t work for me how vehemently Doc and Jeremy reacted when Wynonna chose to save Clio over them. I think they would have trusted that she had a plan? Then again, maybe they’re just terrified for their lives.

Rachel is so sweet.

I continue to feel bad for Billy.

“Get your hands off my sister, you unholy bitch.” Peak Molly Weasley vibes.

“If we cannot use our brawn, let us use our heads.” I love Doc so much.

“That is, as they say, my bad.” Again.

Did anyone else feel like the BBD subplot was just a carousel of people coming to break the BBD prisoners out and failing?

Obligatory Lauren shout out.

I love this show’s commitment to exposed midriff.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Obligatory Dolly Parton shoutout.

The post Wynonna Earp Season 4 Episode 10 Review: Life Turned Upside Down appeared first on Den of Geek.

from Den of Geek https://ift.tt/3fhOE8Q

[justasmallbloginabigklainefandom]

The Great ATOG Reread; Grey part 2

Well, this is different.

Chapter 5

She flexes her hands, and doesn't lower her head. "I just held him. Just for a second, I just used telekinesis to - he always thinks he can walk out as soon as he wan-" "You -" Oh god no. "Jesus. Jesus, don't ever do that, what the hell were you -"

I. FUCKING. HATE. HER.

I AM LITERALLY SHAKING WITH RAGE, JUST LIKE PHALANX. I KNOW HE’S AFRAID OF HIMSELF, BUT AT THIS MOMENT I WISHED HE’S BLASTED HER HEAD OFF.

I know she will redeem herself, and she will even be a great friend to both of them (fuck, even Santana will redeem herself), but I am getting so tired of her attitude. I am getting so tired that she is satisfied by watching people hurt. 

Just FYI, if you’re reading this, with ATOG and the first four chapters of Grey, I read them on my eReader (going against my ‘no fic on my eReader’ rule, but then again, these two are completely different stories), and then write posts afterwards. I have the actual fic open on a different tab so that I can copy quotes and shit. Because of that, I clicked the “part 5″ link and I guess chapter 5 will be a liveblog?

Anyway, back to Quinn. I will end up loving everyone on that team, including Quinn and Satan (heh), since they will redeem theirselves and they have a valid reason for their behaviour, and I am all for character growth and giving them a chance, and they will take that chance, but that still doesn’t really excuse that these two women bullied them.

"Sidekicks should be seen and not heard."

I mean, really. As a feminist, Quinn of all people should know that this is not acceptable. Change ‘Sidekicks’ to ‘Women’ and we can talk about a shit ton of history of opression and wow, Quinn would delve on that cause she’s feminist as fuck.

The conversation/fight she has with Agent Sylvester and the Ghost is the first step to redeeming herself (and to unraveling the secret)

And she stares back at him quivering with rage, but he sees the second of something else behind her eyes, because he knows every nuance of fear, every facet of it, he is as fluent in fear as in French . . .

Quinn, I love you, but you are not stronger than him.

The evening is a bit weird after that. Quinn is reserved, and as a reader you know why. Santana is bitching, but tell me something new. Phalanx is once again asking for a ‘normal’ evening, right after he got to Blaine problem no. #1. He’s not a sidekick.

(Really, I should list these problems. OKaY. For future reference, the sidekick thing and everything involved is Blaine’s problem no. #1, the want for normal non-hero shit is no. 2#. Kurt losing grip of his powers is Kurt’s problem no. #1)

It's never been like this. He didn't know it was supposed to be like this. He wants to kiss him but he doesn't want to break the dance, he doesn't want it to end, not ever, the warmth of his breathing body in Phalanx's arm and his hand given to his. He wants to say, Do you understand how rare this is - ? but he thinks that he knows that, the Ghost who never even asked to be in love, wouldn't have thought to ask to be loved, he knows that. How many people do you meet, and how many could ever know you to dance like this, slow and trusting like there's nothing but the way they move and the way the music moves them, nothing but the safety of the other's body, and the Ghost's arm tucking him closer by the waist, the Ghost's hip against his with each step because they know.

For the first time, they dared to show a little bit of themselves and their relation in front of the team.

Chapter 6

Well, I’m on a roll now.

AND HOLY SHIT GUESS WHAT’S BACK? THE FUCKING FANDOM. I can’t tell you if I’ve missed them or not.

Well, I sure as fuck did miss Draxie, BB, and Ghostly. What a way to reintroduce them. Draxie is cheerful and bubbly, talking about drabbling. BB isn’t even online, but someone recs her fic. And Ghostly is mentioned because people are afraid of her, but shit son, she’s right with her meta about entitlement.

Blaine grunts, still scrolling. Damned fandom, it's a full-time job just to keep up with it . . .

He’s right, though. He braces himself for the meta, and oh, how I missed Ghostly.

P&G: Because they, the idiot ignorant children, fetishize homosexuality in the most contorted and disturbing way possible. Because they're fine with him being gay - happy that he's gay, since they can use his name and form for all their little m/m fantasies on a whole different level of appropriation now. But how dare he, human being in his own life, how *dare* he not conform to strict gender stereotypes at the same time. He's perfectly well allowed to be gay, as long as he does it the 'right way'. God forbid he be any kind of queer that disturbs them, though. TV: There was a lot of negativity.

P&G: They don't want to see a male hero stand in a 'feminine' pose. It demeans him. It makes him less heroic.

But wait, there’s more

P&G: I have a rant brewing, if that's what you mean. The fandom entitlement complex links into fandom sexism in a really strange and powerful way. Because fandom feels like it *owns* its figures of fetishization; they are what they are because we made them that. There is an enormous sense of ownership, like they're just the scaffolding, *we* construct who they are. And of course, they can't live up to that. They're real people, not our dolls. And when they fail to live up to our particular construction we either ignore the facts and go on as before or else we get *really fucking angry*. How *dare* they be actual human beings. They're supposed to be *my doll*, not any real person. Especially not any complicated real person! They should be as simple as possible because I can't conceptualize more than three personality traits in my head at any one time, I am *actually* that dumb! TV: Ahem. Plus we live in a patriarchal society and we construct our dolls along the strict and misogynist gender lines given to us, which oversimplifies them in very dangerous ways.

The entire ‘dolls’ thing is still a thing I use to descibe how I feel about fandom and RPF shipping. I love you, Ghostly, for that brilliant metaphor.

This is not a hero/sidekick relationship. They have strengths and weaknesses and they complement each other. They actually are, in every sense of the word, partners.

Oh boy, if only more of the fandom would get this. It would save Blaine all the shit from problem 1#.

And oh shit.

Time for a...

Blaine's hit back from the post he was on - no way in hell he'll read all that text - and while he's been asleep the fandom's . . . "Oh Jesus." he mutters, and rubs his forehead. "Blaine, what?" "There, um, I don't know, something . . ."

Wankfest.

A human being, scared for real reasons in a genuinely scary world, came to us to reach out for another human being to not feel alone. You bullied them into deleting their blog within a matter of hours. Well *done*, fandom. This really is the grossest mockery of everything that the Ghost and Phalanx, unlike you, actually bother to do. Which is to think about someone else and not just themselves for every single second of every fucking day. The _1_and_only, if you do see this, fuck all of them; they don't know what courage means, they're both too stupid and too spineless to understand the concept. Not all people are like them. When you ask people for help, sometimes they will not be ugly self-absorbed morons, sometimes they will try to *help* you. The Ghost and Phalanx taught us that if nothing else. I hope that you're well, and good luck with your life and your powers. If your power turns out to be the ability to smack people at a great distance, I advise you to not be afraid to use it as much as you fucking need. And now I'm getting a drink because fandom can, very seriously, go fuck itself.

You also get someone shitting on Draxie? I mean, people shitting on Ghostly is just, well, ‘normal’, but this is Draxie and - wow, no surprises, it’s about entitlement. Did. They. Not. Read. That. Meta?

Blaine sits in his desk chair feeling strange and sad, while Kurt takes his post-aikido nap on the bed. He'd had to lie to him, earlier, after swallowing his own shock, because he doesn't know what it would do to Kurt of all people to find out that people were being abused on the internet in some weird way on his behalf. And he'd looked really honestly scared at what Blaine might have been stunned by online, Kurt doesn't understand and isn't entirely comfortable with the Ghost's fans and he'd had no idea what they might have done, in his mind it could be anything and it's really not like Blaine could tell him the truth . . .

But really, guys, doesn’t it fuck you up?

Doesn’t it fuck you up that people fight and hurt on behalf of their idols because ‘they love them’? 

I never got that. I remember when Heather Morris fans were bashing Darren, because they loved Hemo. Or when Darren fans bashed Dianna. BECAUSE THEY LOVE DARREN? And so on. We do not know anything about their off-social media relationship.

People in fandoms hurt and harrass people on behalf of their idols.

BECAUSE THEY LOVE THEM.

Jesus.

Phalanx . . . it's different in difficult ways when it's him and not Blaine. People talk about Phalanx and he mostly lets it run off his back, he knows it's nothing to do with him, really. He knows the way they talk about the Ghost is nothing to do with Kurt, after all. He lets himself keep the good things. He knows that every time they say that the Ghost is brave and strong and good and beautiful it's true, so he lets himself keep the good things they say about Phalanx, and he tries to ignore the rest. Haters gonna hate. But it must be so hard to ignore them when they're saying it right to you, safe behind a computer screen's shield. How can it be okay to say that to someone just because you don't have to look into their eyes and see the person they actually are, the person you're actually hurting . . . ?

The phandom bashes the Ghost, because they love Phalanx.

The fanghosts bash Phalanx, because they love the Ghost.

And this will all lead to the combination of Blaine problem 1# and 2#. 1#, because why can’t people see they’re equal and that this isn’t hero/sidekick and 2#, because how can he stand it that people use his hero identity to hurt others?

Kurt might feel bad for leaving New York City astray, but Blaine can’t handle leaving the fandom astray.